Entwicklung der Bilder

1978

I started with oil paints, To paint and draw charcoal and red chalk Representational ( Landscapes and still life ).

1983
I started, with Earth- and experiment with acrylic paints, while developing my own glaze technique . Here I am wearing 30 to 40 Layers of glaze to moderately .

This gives an idea of ​​different themes translucent or emphasize ostensible by spectral and spatulas .

Since this same time I am also very interested for the different religions and the wisdom of mankind .

With this painting technique I was able to put my thoughts on paper and linen World.

Topic : Where the person comes, wherever he goes – everyone has (s) a task .

and in particular :

Everything is vibration : Colors, Numbers, Music, Thoughts, Sympathy, Telephatie, Love , the nature — the whole universe is built on vibrations. If all life and is a sequence of vibrations and also has as its RULES – About why the title of my work “Order of the oscillations”.

My thoughts: I THINK – THEREFORE I AM : HERE … NOW…

… THE SUM OF ALL MY THOUGHTS INCARNATIONS .

I AM , WHAT I THINK … EVERYTHING IS IN THE MAKING .

I AM NOT IN THE WORLD TO BE – I AM , TO BE ……

 

SINCE 2000
I draw with a painting group in Villach file with models .

SINCE 2007

I lead this group of characters act with 17 Teilnehmer .

SINCE 2003
I work on grounded jute and thereby find new ways of expression .

On the occasion of this series of pictures Adolf Scherer has written an apt text on my artistic work .

SINCE 2005
I use the watercolor painting for my acts and “Order of the oscillations ” one . Flowing through this Technique ( Nass in Nass ) often result in very exciting design options.



Adolf Scherer Alfred Radls acrylic work

The acrylic works on the theme "order of vibrations" by Alfred Radl final sense a philosophy of life, understand what the viewer initially difficult, as it has evolved from a kind of artistic asceticism out.

To describe these artistic products of "abstract" or "irrelevant", would be a mistake, because of the idea and present the formal realization forth extremely specific ideas of creative statement ; However, these ideas are based on the idea of ​​the artist and his artistic statement.

The viewer is at it, einzusetzten to his own idea and imagination in dealing with the works of Alfred Radls, to approach in this way the display of the artist . And this is not difficult with intensive preoccupation with the theme world Radls, if you let yourself be guided by their own imaginations across.

Seen in the pictures of the artist does not impose, but mediated through numerous pictorial suggestions of entry into a particular color space and way to understanding and detecting the creative content.

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